Uppsala Domkyrkokör sjunger Haydns "Stabat Mater"

En rad solister och Rebaroque medverkar i framförandet av det vackra och trösterika verket söndag 29 mars kl 18.00.

Joseph Haydn (1732-1809) komponerade sitt Stabat Mater 1767. Det var hans första större kyrkomusikaliska verk och det skrevs för kör, fyra solister och orkester. Titelns betydelse är ”Modern stod (vid korset)” och verket skildrar Marias lidande vid åsynen av den korsfäste Jesus. Här ryms både smärta, medkänsla och hopp, tre grundläggande erfarenheter för både det mänskliga livet och för påskevangeliets budskap. Som musikalisk inledning på Stilla veckan framför Uppsala Domkyrkokör verket i Uppsala domkyrka söndag 29 mars kl 18.00 under ledning av Nicolas Haigh. Med sig har de fyra solister samt ensemblen Rebaroque som genom sina tidstrogna instrument ger barockmusiken sin rätta inramning. Konserten är omkring 80 minuter lång och du hittar dina biljetter via Nortic.se.

Medverkande
Uppsala Domkyrkokör
Margaret Carpenter Haigh sopran
Emma Sventelius mezzosopran
Alexander Niclasson tenor
Peter Boman bas
Rebaroque
Nicolas Haigh dirigent

More information HÄR.

St John Passion - Johannespassionen - av Bob Chilcott, repris av populär konsert 2025

Medverkande:
Linnékvintetten
Michael Axelsson - evangelist
Anders Larsson - Jesus
Margaret Haigh - sopran
Missionskyrkans Vokalensemble och kyrkokör
Markus Jonsson - dirigent
Gunnar Axelson-Fisk - regissör

Fri entré för ungdomar under 20 år. Köp biljetter HÄR.

Mariavesper av Claudio Monteverdi:

Vespro della Beata Vergine (Mariavespern) är det mest storskaliga sakrala verket före Bach. Det komponerades 1610 att ära jungfru Maria, men sannolikt ville Monteverdi också imponera på påven Paulus V. Han ville gärna få anställning vid Markuskyrkan i Venedig, vilket också skedde ett par år senare. Verket blickar både framåt och bakåt i sin komposition. Monteverdi ansågs av sin samtid att vara alltför modern och han spänner den musikaliska bågen mellan medeltida kyrkotraditioner och den just uppfunna världsliga operakonsten.

Medverkande:
Hägersten A Cappella
Ann Wallström Barockorkeste
Carl Unander Scarin och Arvid Emilsson, tenor
Margaret Carpenter Haigh och Ingrid Berg, sopran
Kerstin Börjeson, dirigent

For more information, please click HERE.

Portland Baroque Orchestra presents ‘Hidden Women of Rome’

Step into the opulent world of 17th-century Rome, where rebellious Queen Christina of Sweden championed musical brilliance in both the court and the convent. This program unveils the sensational, operatic sacred works sung by virtuosic nuns—music long hidden behind cloistered walls.

Alongside instrumental gems by Corelli and Scarlatti, modern premieres of Alessandro Melani’s vocal works—unheard for over 300 years—bring to life a legacy of mystery, power, and divine brilliance. Experience the soaring voices of extraordinary women (brought to you by Portland Baroque Voices), silenced by history, now restored to their rightful place in the musical canon.

Margaret Carpenter Haigh, soprano
Arwen Myers, soprano
Rebecca Myers, soprano
Vakarė Petroliūnaitė, soprano
Kristin Gornstein, mezzo-soprano
Sarah Couden, contralto
Julian Perkins, director

For tickets and more information, click HERE.

Portland Baroque Orchestra presents ‘Hidden Women of Rome’

Step into the opulent world of 17th-century Rome, where rebellious Queen Christina of Sweden championed musical brilliance in both the court and the convent. This program unveils the sensational, operatic sacred works sung by virtuosic nuns—music long hidden behind cloistered walls.

Alongside instrumental gems by Corelli and Scarlatti, modern premieres of Alessandro Melani’s vocal works—unheard for over 300 years—bring to life a legacy of mystery, power, and divine brilliance. Experience the soaring voices of extraordinary women (brought to you by Portland Baroque Voices), silenced by history, now restored to their rightful place in the musical canon.

Margaret Carpenter Haigh, soprano
Arwen Myers, soprano
Rebecca Myers, soprano
Vakarė Petroliūnaitė, soprano
Kristin Gornstein, mezzo-soprano
Sarah Couden, contralto
Julian Perkins, director

For tickets and more information, click HERE.

A mainstay of Christmas in New York, Concerts at Saint Thomas presents the Saint Thomas Choir of Men and Boys’ performances of Handel’s Messiah with New York Baroque Incorporated. Hailed by The New York Times as “one of the most prominent and special [Messiahs] of the city,” these concerts have become an annual tradition for many, heralding the coming of the festive season.

The Saint Thomas Choir of Men and Boys
New York Baroque Incorporated
Margaret Carpenter Haigh, Soprano
Daniel Moody, Countertenor
James Reese, Tenor
Paul Max Tipton, Bass-Baritone
Richard Tanner, Conductor

For more information, click HERE

A mainstay of Christmas in New York, Concerts at Saint Thomas presents the Saint Thomas Choir of Men and Boys’ performances of Handel’s Messiah with New York Baroque Incorporated. Hailed by The New York Times as “one of the most prominent and special [Messiahs] of the city,” these concerts have become an annual tradition for many, heralding the coming of the festive season.

The Saint Thomas Choir of Men and Boys
New York Baroque Incorporated
Margaret Carpenter Haigh, Soprano
Daniel Moody, Countertenor
James Reese, Tenor
Paul Max Tipton, Bass-Baritone
Richard Tanner, Conductor

For more information, click HERE

Atlanta Baroque Orchestra

G.F. Handel’s Acis and Galatea, from Ovid’s Metamorphoses, portrays a story of love between a water nymph Galatea, her steadfast shepherd Acis, and an enraged Cyclops, Polyphemus. Join the ABO, Deanna Joseph, and the GSU Choral Artists.

For more information, click HERE

Atlanta Baroque Orchestra

G.F. Handel’s Acis and Galatea, from Ovid’s Metamorphoses, portrays a story of love between a water nymph Galatea, her steadfast shepherd Acis, and an enraged Cyclops, Polyphemus. Join the ABO, Deanna Joseph, and the GSU Choral Artists.

For more information, click HERE

Atlanta Baroque Orchestra

G.F. Handel’s Acis and Galatea, from Ovid’s Metamorphoses, portrays a story of love between a water nymph Galatea, her steadfast shepherd Acis, and an enraged Cyclops, Polyphemus. Join the ABO, Deanna Joseph, and the GSU Choral Artists.

For more information, click HERE

Trinity Choir and Baroque Orchestra, led by Avi Stein, will wrap up Bach at One’s celebration of the church’s new organ with Bach’s Fugue in D Major, and the conclusion of his transcendent Mass in B Minor (Part II-Part IV). Expect a majestic performance of a work widely considered to be the pinnacle of Bach’s compositional career. From the moving Credo and joyous Sanctus to the stunning Agnus Dei, the Mass is a showcase of the master at his most inspired, revealing both incredible artistry and a commitment to faith.  

Trinity Choir; Trinity Baroque Orchestra; led by Avi Stein, organ  

For more information, click HERE

Concerts at Saint Thomas presents two of Baroque composer Antonio Vivaldi’s greatest and most beloved works, as renowned violinist Aisslinn Nosky leads the ever-popular Four Seasons concerti and the Saint Thomas Choir of Men and Boys sing the Gloria in D major, joined by the period instrument ensemble New York Baroque Incorporated. Experience these timeless masterpieces celebrating Vivaldi’s enduring legacy in the grandeur of one of New York’s most exquisite sacred spaces.

Aisslinn Nosky, violin
Margaret Carpenter Haigh and Philippa Hyde, soprano
Biraj Barkakaty, countertenor
Richard Tanner, conductor

For more information, click HERE

Bach’s most ambitious and jubilant motet for double choir, Singet dem Herrn ein neues Lied, will be performed alongside a lush, witty homage to the maestro. The Organ Concerto in G Minor was written by Francis Poulenc, one of the 20th century’s most eclectic composers, whose music is at once deeply emotional and charmingly urbane.  

Avi Stein, organ; Trinity Choir; NOVUS; Melissa Attebury, director  

For more information, click HERE

NOVUS, Trinity’s new-music ensemble, continues its Renewal series with Undivided, a concert that invites the audience into a space of empathy and transformation. The pinnacle of the performance is the world premiere of Andrew Yee’s Trans Requiem, a work for trans voices, choirs, and orchestra that amplifies the beauty, strength, and diversity of the trans experience and affirms the dignity of every voice. Complementing the work is a Trinity arrangement of Samuel Barber’s stunning Agnus Dei (Adagio for Strings) and Sonic Meditations by Pauline Oliveros.  

Trinity Choir; Trinity Youth Chorus; and NOVUS; Breanna Sinclairé and Katherine Goforth, soloists  

For more information, click HERE