NOVUS, Trinity’s new-music ensemble, continues its Renewal series with Undivided, a concert that invites the audience into a space of empathy and transformation. The pinnacle of the performance is the world premiere of Andrew Yee’s Trans Requiem, a work for trans voices, choirs, and orchestra that amplifies the beauty, strength, and diversity of the trans experience and affirms the dignity of every voice. Complementing the work is a Trinity arrangement of Samuel Barber’s stunning Agnus Dei (Adagio for Strings) and Sonic Meditations by Pauline Oliveros.  

Trinity Choir; Trinity Youth Chorus; and NOVUS; Breanna Sinclairé and Katherine Goforth, soloists  

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Bach’s most ambitious and jubilant motet for double choir, Singet dem Herrn ein neues Lied, will be performed alongside a lush, witty homage to the maestro. The Organ Concerto in G Minor was written by Francis Poulenc, one of the 20th century’s most eclectic composers, whose music is at once deeply emotional and charmingly urbane.  

Avi Stein, organ; Trinity Choir; NOVUS; Melissa Attebury, director  

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Concerts at Saint Thomas presents two of Baroque composer Antonio Vivaldi’s greatest and most beloved works, as renowned violinist Aisslinn Nosky leads the ever-popular Four Seasons concerti and the Saint Thomas Choir of Men and Boys sing the Gloria in D major, joined by the period instrument ensemble New York Baroque Incorporated. Experience these timeless masterpieces celebrating Vivaldi’s enduring legacy in the grandeur of one of New York’s most exquisite sacred spaces.

Aisslinn Nosky, violin
Margaret Carpenter Haigh and Philippa Hyde, soprano
Biraj Barkakaty, countertenor
Richard Tanner, conductor

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Trinity Choir and Baroque Orchestra, led by Avi Stein, will wrap up Bach at One’s celebration of the church’s new organ with Bach’s Fugue in D Major, and the conclusion of his transcendent Mass in B Minor (Part II-Part IV). Expect a majestic performance of a work widely considered to be the pinnacle of Bach’s compositional career. From the moving Credo and joyous Sanctus to the stunning Agnus Dei, the Mass is a showcase of the master at his most inspired, revealing both incredible artistry and a commitment to faith.  

Trinity Choir; Trinity Baroque Orchestra; led by Avi Stein, organ  

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Atlanta Baroque Orchestra

G.F. Handel’s Acis and Galatea, from Ovid’s Metamorphoses, portrays a story of love between a water nymph Galatea, her steadfast shepherd Acis, and an enraged Cyclops, Polyphemus. Join the ABO, Deanna Joseph, and the GSU Choral Artists.

For more information, click HERE

Atlanta Baroque Orchestra

G.F. Handel’s Acis and Galatea, from Ovid’s Metamorphoses, portrays a story of love between a water nymph Galatea, her steadfast shepherd Acis, and an enraged Cyclops, Polyphemus. Join the ABO, Deanna Joseph, and the GSU Choral Artists.

For more information, click HERE

Atlanta Baroque Orchestra

G.F. Handel’s Acis and Galatea, from Ovid’s Metamorphoses, portrays a story of love between a water nymph Galatea, her steadfast shepherd Acis, and an enraged Cyclops, Polyphemus. Join the ABO, Deanna Joseph, and the GSU Choral Artists.

For more information, click HERE

A mainstay of Christmas in New York, Concerts at Saint Thomas presents the Saint Thomas Choir of Men and Boys’ performances of Handel’s Messiah with New York Baroque Incorporated. Hailed by The New York Times as “one of the most prominent and special [Messiahs] of the city,” these concerts have become an annual tradition for many, heralding the coming of the festive season.

The Saint Thomas Choir of Men and Boys
New York Baroque Incorporated
Margaret Carpenter Haigh, Soprano
Daniel Moody, Countertenor
James Reese, Tenor
Paul Max Tipton, Bass-Baritone
Richard Tanner, Conductor

For more information, click HERE

A mainstay of Christmas in New York, Concerts at Saint Thomas presents the Saint Thomas Choir of Men and Boys’ performances of Handel’s Messiah with New York Baroque Incorporated. Hailed by The New York Times as “one of the most prominent and special [Messiahs] of the city,” these concerts have become an annual tradition for many, heralding the coming of the festive season.

The Saint Thomas Choir of Men and Boys
New York Baroque Incorporated
Margaret Carpenter Haigh, Soprano
Daniel Moody, Countertenor
James Reese, Tenor
Paul Max Tipton, Bass-Baritone
Richard Tanner, Conductor

For more information, click HERE